Italian Gothic Era Painter, active 1350-1369  Related Paintings of GIOVANNI DA MILANO :. | Scenes out of life Christs Christ in the house Simons, 2 Halfte 14 centuries. | Polyptych with Madonna and Saints | The Blue Door | Pieta | Pitea (mk08) |
Related Artists:
Benjamin Duterrau
1767 - 1851 , was an artist in England and in early colonial Australia. Duterrau was was born in London to parents of French descent. Duterrau was apprenticed to an engraver and in 1790 did two coloured stipple engravings after Morland, The Farmer's Door and The Squire's Door. Taking up painting, between 1817 and 1823 he exhibited six portraits at Royal Academy exhibitions, and he also exhibited three genre pieces at the British Institution about the same period. Duterrau emigrated to Van Diemen's Land (now Tasmania), arriving in August 1832 with his daughter. He lived at the corner of Campbell and Patrick Streets in Hobart, and practised as a portrait painter. In 1835 he did some etchings of Indigenous Australians, the first examples of that craft to be done in Australia. His most famous painting The Conciliation is in the Hobart gallery with a self-portrait and other works, including some modelling in relief. A large landscape is in the Beattie collection at Launceston, and he is also represented in the Dixson collection at Sydney. Duterrau died at Hobart in 1851.
Charles Landelle
1812-1908 French painter. His father, a calligrapher and musician from Mayenne, moved to Paris in 1825 to take up a post as musician in the Tuileries. Ary Scheffer, whom Landelle met through his father's contact with the Orleans court, encouraged him to become a painter. He registered at the Ecole des Beaux-Arts on 2 October 1837 as a pupil of Paul Delaroche and made his debut at the Salon in 1841 with a Self-portrait (Laval, Mus. Vieux-Cheteau). His first success, Fra Angelico asking God for Inspiration , indicated a sentimental, religious tendency in his work, which alternated with pretty pictures of young girls. Charity. commissioned by Antoine Vivenel (1799-1862), was followed by Idyll and Elegy (untraced), which were bought by the dealer Adolphe Goupil on the opening day of the 1844 Salon. The contract to buy also included Goupil's right of first refusal on the reproduction of all Landelle's future work. Subsequently, he painted the Three Marys at the Tomb in the pious manner of Ary Scheffer and a sweet, angelic St Cecilia, commissioned in 1845 by the Prefect of the Seine, in which elements of the early Renaissance art seen by Landelle on a trip to Italy in 1845 combined with the soft, pale style common among some of his colleagues from the studio of Delaroche. He also painted religious works for St Roch (1850), St Germain l'Auxerrois (1856) and St Sulpice (1875) churches in Paris.
gottfrid kallstenius
seated male model, 1887-88. royal academy of fine arts